"It's a Fender," I thought, and decided I'd simply test drive it at the jam the next night. But since I had my hands full with a session that day, I didn't have time to plug in the amp and check it out. It wasn't that heavy, but at 40 lbs, it had some beef to it. "Score," I thought, as I removed it from the box. Well, lo and behold, the day before the jam, this amp arrives. Oh, and it had to be fairly light, since I was loading in my own rig. I was going to join some friends who were playing at a large hall on a lake, and I wanted to wail through something that could do clean and distorted sound equally well. But that was just the case when I got a blonde Fender Super-Sonic 22 sent for review. ![]() There are few amp companies I'd trust enough to take a brand new model out to a jam, especially one I hadn't even turned on. ![]() He is also a songwriter, writer and journalist.Download Example 1 Les Paul Custom, neck p/u, Burn Channel Gain1 on 9, Gain 2 on 2, Verb on 5ĭownload Example 2 Les Paul Custom, bridge p/u, Burn Channel Gain 1 on 10, Gain 2 on 6, Verb on 3ĭownload Example 3 Les Paul Custom, middle p/u, Fat channel, no verb.ĭownload Example 4 Les Paul Custom, middle p/u, Vintage channel, Treble and Bass on 5ĭownload Example 5 Telecaster bridge p/u, verb on 7ĭownload Example 6 Telecaster, neck p/u, Fat Channel, verb on 7.ĭownload Example 7 Telecaster, neck p/u Burn Channel, Gain 1 on 4, Gain 2 off.Īll clips recorded with a Sennheiser 421 through an ADL 600/Presonus preamp Phone them at: 48, FAX at: 48 or visit: Billy Cioffi is a Rock and Roll guitarist who has played with manyĪcts from the Fifties, Sixties and Seventies in all fifty states and on five continents. For much more about this new earth-shaker, contact Fender Musical Instruments at 7975 N. Color options include three-color Sunburst (add $50) Black Hot Rod Red and Aqua Marine Metallic. With black Tolex Fender case, the Sub-Sonic sells for $1,400 MSRP. Controls consist of: volume control, one tone knob for the neck and middle pickup and one no-load tone for the bridge. There are a single, DH-1 humbucking pickup and two Vintage Noiseless single-coils. Deluxe cast/sealed machine heads are fitted to an oversized traditional Strat headstock. The neck, made of maple, is available with either a maple or rosewood fingerboard, dot inlays and 22 medium-jumbo frets. Manufactured in "Fenderland", in Corona California USA, the Sub-Sonic has an alder body in the shape of the classic Strat and comes with a hard-tail bridge. Power chords will sound like earthquakes and you gotta wonder about the health of low cost stereo speakers in an air-guitar player's bedroom! Country players and studio musicians will love this instrument for it's ability to lay down throbbing single note lines and phrases that usually require arcane tunings. You're basically good to go from the get. With a neck scale of 27 inches (traditional Strat's are 25.5 inches) this ax has to be big! Now add a B tuning of B-E-A-D-F#-B and you'll have a range most associated with 7 string guitars but forget scratching your head trying to figure out new positions, inversions or strange chord shapes. Fender, innovative as always, has now split the difference and come up with a whole new thang, the Sub-Sonic Stratocaster! In country music, a staple in the studio has been the baritone guitar or Fender's original six-string bass. ![]() Stevie Ray Vaughn tuned a half step down to E flat giving his strings greater "play".making his vibrato wider and creating a ballsy and more consistent sound, particularly in the first positions. There is an old saying in Rock and Roll: "The Twang's The Thang." I believe it goes back to those early Duane Eddy records with that low-down, earthy tone that sustains yet clearly defines the melody line or "lick." In classic rock and roll from Jimi Hendrix to Jimmy Page to Stevie Ray to Eddie Van Halen.all the greats got a twangy and big beefy wall of sound by tuning their guitars down below normal.
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